Welcome to Rose Bruford Repository

This series of performances (2019-2020) brings together Brian Lobel's research in one-to-one performance making and notions of intimacy, using the simple act of communal television watching. Based on Brian's 2015-2018 performance, You Have to Forgive Me, You Have to Forgive Me, You Have to Forgive M...

Living Room is an inter-disciplinary research project exploring how we can turn a(ny) room into a room that can host and support a performance, facilitated by a better understanding of theatre scenography (staging/set/lighting/sound). How can we use the arts to improve the way we use the spaces we w...

In London in the mid nineteen-thirties Fred Bentham invented a theatre lighting control system that was in several key respects a radical departure from the controls of the time. In a pre-digital age, the Light Console made use of cinema organ technology to create a lighting control that for the fir...

The pandemic is creating the conditions for a new telos of globalisation to emerge in humanity’s historical consciousness, which is not expressed in ideological terms, but is instead rendered as a fluid reality of corporeality and virtuality structured by the materialism of the Internet. Internet th...

The Round is an augmented reality platform that allows users at home to watch live streamed 3D characters being produced by real actors in a motion capture suite. The project holds the idea of “liveness” in high regard and considers it an important part of the theatrical experience that needed to be...