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Niamh Dowling's practice research explores how Systemic Constellations can inform Contemporary Movement Practice. Niamh's work is established internationally as a movement practice with its underpinning in the principles of the Alexander Technique. Her training in Systemic Constellations over the pa...

Archival material pertaining to Clive Barker is interrogated to assess Barker's legacy in the future tense by arguing that the concept of the Fun Palace can hack the neoliberal politics of the 2012 Olympic legacy.

This series of performances (2019-2020) brings together Brian Lobel's research in one-to-one performance making and notions of intimacy, using the simple act of communal television watching. Based on Brian's 2015-2018 performance, You Have to Forgive Me, You Have to Forgive Me, You Have to Forgive M...

On The Edge of Training was a research project initiated by the Rose Bruford College TYA Centre and led by Lead Researcher Jeremy Harrison, in collaboration with Half Moon Theatre, London and Artrix Arts Centre, Bromsgrove. The project was part of the research and symposia strand of the ASSITEJ On T...

This paper builds on my on-going research into the playwright’s role within the collaborative devising process, which includes questioning traditional pedagogical approaches to writing for the stage. In addition, it references the practical experience of developing and teaching modules focused on th...