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This series of performances (2019-2020) brings together Brian Lobel's research in one-to-one performance making and notions of intimacy, using the simple act of communal television watching. Based on Brian's 2015-2018 performance, You Have to Forgive Me, You Have to Forgive Me, You Have to Forgive M...

A major collaboration with 21st Century Museum for Contemporary Art and Hanaume Cancer Support Centre, this 3-day installation featured over 30 cancer patients, medical professionals, support workers and bereaved family members creating one-to-one performances with galleries. Developed over nearly t...

Artists Emily Underwood-Lee, Brian Lobel and Emily Speed worked with parents at Great Ormond Street Hospital (GOSH) and GOSH Arts to consider the importance of finding space for yourself when you’re a parent or a carer of a child in hospital. Brian and Emily Underwood-Lee staged performances at the...

The Round is an augmented reality platform that allows users at home to watch live streamed 3D characters being produced by real actors in a motion capture suite. The project holds the idea of “liveness” in high regard and considers it an important part of the theatrical experience that needed to be...

This paper builds on my on-going research into the playwright’s role within the collaborative devising process, which includes questioning traditional pedagogical approaches to writing for the stage. In addition, it references the practical experience of developing and teaching modules focused on th...