Welcome to Rose Bruford Repository

This paper builds on my on-going research into the playwright’s role within the collaborative devising process, which includes questioning traditional pedagogical approaches to writing for the stage. In addition, it references the practical experience of developing and teaching modules focused on th...

Archival material pertaining to Clive Barker is interrogated to assess Barker's legacy in the future tense by arguing that the concept of the Fun Palace can hack the neoliberal politics of the 2012 Olympic legacy.

This series of performances (2019-2020) brings together Brian Lobel's research in one-to-one performance making and notions of intimacy, using the simple act of communal television watching. Based on Brian's 2015-2018 performance, You Have to Forgive Me, You Have to Forgive Me, You Have to Forgive M...

Acting Like Children was a research event held in 2011 examining approaches to the performance of child characters by adult artists, involving Polka Theatre, Action Transport Theatre, Travelling Light, Early Years Theatre expert Jo Belloli, director Sally Cookson, Vice Chair of Action for Children’s...

Digital visualisation tools – virtual models – are increasingly used as part of the creative and production processes of large-scale theatre and opera. These technologies not only enable the modelling of the performance space with its scenic and lighting scenographies, but also facilitate the modell...