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Funded by British Council Uzbekistan and Rose Bruford College. This report has been commissioned by British Council Uzbekistan and prepared by Niamh Dowling, Head of the School of Performance at Rose Bruford College of Theatre and Performance (RBC). Over the course of the Theatre Development P...

Niamh Dowling's practice research explores how Systemic Constellations can inform Contemporary Movement Practice. Niamh's work is established internationally as a movement practice with its underpinning in the principles of the Alexander Technique. Her training in Systemic Constellations over the pa...

This paper builds on my on-going research into the playwright’s role within the collaborative devising process, which includes questioning traditional pedagogical approaches to writing for the stage. In addition, it references the practical experience of developing and teaching modules focused on th...

A major collaboration with 21st Century Museum for Contemporary Art and Hanaume Cancer Support Centre, this 3-day installation featured over 30 cancer patients, medical professionals, support workers and bereaved family members creating one-to-one performances with galleries. Developed over nearly t...

This series of performances (2019-2020) brings together Brian Lobel's research in one-to-one performance making and notions of intimacy, using the simple act of communal television watching. Based on Brian's 2015-2018 performance, You Have to Forgive Me, You Have to Forgive Me, You Have to Forgive M...