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This series of performances (2019-2020) brings together Brian Lobel's research in one-to-one performance making and notions of intimacy, using the simple act of communal television watching. Based on Brian's 2015-2018 performance, You Have to Forgive Me, You Have to Forgive Me, You Have to Forgive M...

In London in the mid nineteen-thirties Fred Bentham invented a theatre lighting control system that was in several key respects a radical departure from the controls of the time. In a pre-digital age, the Light Console made use of cinema organ technology to create a lighting control that for the fir...

Archival material pertaining to Clive Barker is interrogated to assess Barker's legacy in the future tense by arguing that the concept of the Fun Palace can hack the neoliberal politics of the 2012 Olympic legacy.

On The Edge of Training was a research project initiated by the Rose Bruford College TYA Centre and led by Lead Researcher Jeremy Harrison, in collaboration with Half Moon Theatre, London and Artrix Arts Centre, Bromsgrove. The project was part of the research and symposia strand of the ASSITEJ On T...

Cuddington park was formed during London’s inter-war suburban expansion. Built commercially but promoted utopian ideals, these suburbs offered a new middle class of commuters the opportunity to live in a ‘natural’ environment of tree-lined roads, private gardens and public parks. Built on farmland, ...