Welcome to Rose Bruford Repository

Digital visualisation tools – virtual models – are increasingly used as part of the creative and production processes of large-scale theatre and opera. These technologies not only enable the modelling of the performance space with its scenic and lighting scenographies, but also facilitate the modell...

Artists Emily Underwood-Lee, Brian Lobel and Emily Speed worked with parents at Great Ormond Street Hospital (GOSH) and GOSH Arts to consider the importance of finding space for yourself when you’re a parent or a carer of a child in hospital. Brian and Emily Underwood-Lee staged performances at the...

This series of performances (2019-2020) brings together Brian Lobel's research in one-to-one performance making and notions of intimacy, using the simple act of communal television watching. Based on Brian's 2015-2018 performance, You Have to Forgive Me, You Have to Forgive Me, You Have to Forgive M...

Living Room is an inter-disciplinary research project exploring how we can turn a(ny) room into a room that can host and support a performance, facilitated by a better understanding of theatre scenography (staging/set/lighting/sound). How can we use the arts to improve the way we use the spaces we w...

Cuddington park was formed during London’s inter-war suburban expansion. Built commercially but promoted utopian ideals, these suburbs offered a new middle class of commuters the opportunity to live in a ‘natural’ environment of tree-lined roads, private gardens and public parks. Built on farmland, ...