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Research Article

Moving towards a liberatory pedagogy: Mattering language in Niamh Dowling’s practice

Published online: 06 Jan 2022
 

As teachers, directors and coaches we move between conscious and unconscious use of language with different levels of awareness of its impact. Ideas and images are transformed into movement through a process of ‘ideokinesis’, where how you think your body works changes how your body works. This mattering discourse can become naturalised within different movement practices and, as such, its political resonance and liberatory potential is side-lined. This article seeks to understand how language matters in movement teaching. What types of language are produced in the movement space and why? How does pedagogic language open up or close down the possibility of a liberatory practice and how might we define this? At this cultural moment, when the complexities of identity politics have been brought into sharp focus, it seems vital to hold our pedagogic language to account.

Additional information

Notes on contributors

Niamh Dowling

Niamh Dowling is Head of School of Performance at Rose Bruford College of Theatre and Performance in London. Niamh trained initially with Monika Pagneux in Paris, Anne Bogart, Nancy Topf and Eva Karczag in New York and subsequently as a teacher of the Alexander Technique at Fellside with Don Burton. She collaborated with Teatr Piesn Kozla in Poland for over fifteen years. Over the past eight years Niamh has been training in Systemic Constellations which has deeply influenced her practice and supported her holistic approach to education and performance training. Niamh is one of the practitioners Routledge Performance Archive. https://www.routledgeperformancearchive.com

Lisa Peck

Lisa Peck is Lecturer in Theatre Practice at University of Sussex and Associate Tutor at Royal Central School of Speech and Drama. She has worked in education for over twenty-five years as a teacher educator and education consultant for the National Theatre and Digital Theatre Plus. Her research works at the intersections between social science and humanities to explore feminist pedagogies in theatre-making and actor training. Her monograph, Act As A Feminist!: Towards A Critical Acting Pedagogy was published by Routledge in 2021. Lisa is co-founder of RAPT (Research, Artistry, Participation, Theatre) which makes multimodal public artworks.

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