Items where Year is 2024

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Number of items: 13.

Blackstone, Dana (2024) ‘Yes, and’ and ‘No, although’: Inviting dissent and difference towards agency as part of multi-representative practice in actor training. Theatre, Dance and Performance Training, 15 (2). pp. 216-230.

Dunne-Howrie, Joseph (2024) Different Times, Same Culture War: Performing Otherness and the War on Woke. Contemporary Theatre Review, 35 (2). (In Press)

Dunne-Howrie, Joseph (2024) Dunne-Howrie, Joseph, 'Review of "Adam Alston, Staging Decadence: Theatre, Performance, and the Ends of Capitalism"' London: Methuen Drama, 2023. 248 p. £76.50. ISBN: 978-1-350-23704-9. New Theatre Quarterly, 40 (3). p. 288. ISSN 0266-464X (Print), 1474-0613 (Online)

Dunne-Howrie, Joseph (2024) Pinkwashing Islamophobia in Performance. HowlRound Theatre Commons.

Dunne-Howrie, Joseph (2024) The Progressive Case for Populism. PAJ: A Journal of Performance Art.

Dunne-Howrie, Joseph (2024) There is Nothing Superficial About Performative Politics. Yorkshire Bylines.

Dunne-Howrie, Joseph (2024) Wandering Games by Melissa Kagen, Cambridge, MA, MIT Press, 2022, 216 pp., £20.10 (paperback), ISBN 978-0262544245. International Journal of Performance Arts and Digital Media.

Hunt, Nick (2024) Eurovision as Combinatoire: the complex construction of the lighting and video in the Eurovision Song Contest. In: Designing Eurovision: Performance Scenography on an International Stage. Routledge. (Submitted)

Hunt, Nick (2024) A Sense of Direction: the directionality of light and the creation of meaning and feeling on stage. Theatre and Performance Design, 9 (3-4). pp. 221-241. ISSN 2332-2578

Lobel, Brian (2024) Revenge is Sweet. Total Theatre.

Morash, Karen E (2024) Dancing on a Knife’s Edge: Performing Violent Co-Dependency in Bryony Lavery and Frantic Assembly’s Stockholm. In: Dramaturgy of Sex on Stage in Contemporary Theatre. Routledge, Abingdon, pp. 45-50.

Patey-Ferguson, Phoebe (2024) 'From the Finishing School of Marisa Carnesky: Lessons in Doing It Together' in Obsessions of a Showwoman: The Performance Worlds of Marisa Carnesky, ed. In: Obsessions of a Showwoman: The Performance Worlds of Marisa Carnesky. Intellect Books.

Wilson, Thomas (2024) One exercise I always return to: the dactyl and the gruppirovka. Theatre, Dance and Performance Training, 15 (4). pp. 699-701. ISSN 1944-3927

This list was generated on Sat Apr 26 01:50:05 2025 BST.